1. How can Human Traffic be considered a socialist realist film? You may wish to consider how the film makers technically communicate a social realism, what issues are raised and how they might affect the audience?
Human Traffic can be considered to be a social realism film, to a certain extent, because several of the aspects displayed in the film are reciprocated in todays society, as it was in the 1990's. Examples of this are that there is excessive drinking, excessive drug usage and general loutish behaviour. All this is stereotypical of today's youth and so therefore can be considered to be social realism. This means that the audience feels somewhat connected to the characters, and this is further enhanced by the fact that the characters all have jobs that can be related to and partake in activities that many of the audience themselves indulge in. This is particularly exemplified by Moff, who is part of a typical english middle class family and so more of the audience can relate to it.
2. How does the youth culture depicted resist or subvert mainstream society?
It's shown to somewhat resist mainstream society, in that most of society does not partake in drug abuse and heavy drinking, so therefore this is resitance to the mainstream society.
3. How can you consider this film to be British?
I would consider this a British film, partly due to the fact that all the actors used are British, and all of the locations are British as well. However, I also consider it British because it pictures the British nation as one that drinks and dances, which is a very typical view of Britain, particularly in urban areas.
4. To what extent are the characters in Human Traffic unable to express their identity?
Cultural hegemony has helped to restrict the characters from showing their true identity by forcing the ideas of mainstream society onto them. One of the ways that this has been done is to give the characters low paid, mundane jobs where they lack the chance to truly express their real identity. For example, Jip is working as a sales assistant in a clothing shop, which is completely contrasting to his real party self.
This thus creates double identities for each of the characters. For instance, Koop works as a music salesman, being vocal and boisterous helps him to sell music, whereas his true identity is being a paranoid man. The same can be said of Lulu, where she works as an office worker, which is seen to be boring and mundane, whereas outside of work she is very energetic and likes to party.
5. How is the social-realistic verisimilitude created in the text?
Social-realistic verisimilitude is shown right at the start with actual real footage of events that occured, and these are then re-created, in a realistic way, by the characters on screen. Also the whole actors looking into the camera thing creates a personal and real view of their lives. Also, the slang used is representative of the language used in the 90's. Also, we get a great insight into issues such as erectile dysfunction, menaing that it creates a realistic picture of the characters and their lives.
6. What anxieties does each of the characters have? Where do these anxieties stem?
Jip - Sexual insecurities, stemming from previous 'experiences'. Also family issues, such as his mum being a prostitute.
Moff - Family despise his behaviour, and he is upset about the way he is living his life.
Koop - Paranoia, due to his girlfriend being too flirtatious.
Lulu - Low opinion of men, due to previous experiences.
Nina - Flirtatious
7. In consideration of the effects and uses and gratifications model, does Human Traffic promote drug usage?
I believe that overall, Human Traffic does to a certain extent promote drug usage, because the characters are in their happiest place when they're on drugs, and they feel that the 'comedown' is justified by the experiences they have while on drugs. So, to an extent drug u